Dante: Eliot was a lifelong reader and lover that the occupational of Dante Alighieri. Eliot opens “Prufrock” through an epigraph drawn from the 27th canto the Dante’s Inferno. In Inferno, the quoted present are spoken by the personality Guido da Montefeltro, a cheat politician condemned come hell. Guido agrees to tell his shameful story come Dante because he believes that Dante will never escape hell to spread out word that it. J. Alfred Prufrock each other Guido da Montefeltro in divulging his neuroses, insecurities, and sins. Prufrock’s sense of an individual insignificance—“I am… an easy tool / Deferential, glad to be of use”—fuels his willingness to share.

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Michelangelo: The couplet “In the room the ladies come and also go / talking of Michelangelo” develops a kind of refrain. It shows up twice in the poem, constantly as a stand-alone stanza. The humorous meter and clear end-rhyme provide the couplet a lighthearted tone. The reference to Michelangelo is intended to show the banal conversations in which Prufrock find himself. The talk appears to it is in shallow, with the breezy name-dropping of famed artists.

Hamlet: In one passage, Prufrock envisions himself together a personality in a shak spa play. Together he observes, “No! ns am no Prince Hamlet, nor was supposed to be; / am an attendant lord.” on one level, the allusion reflects Prufrock’s usual self-image. He admits that he does not possess Hamlet’s grandiosity and also self-importance. He feels an ext akin to a Fool, a next character that “start a scene or two.” however Prufrock is Hamlet-esque in his self-consciousness and also his attraction to existential quandaries. Early on in the poem, Prufrock mentions “an overwhelming question” that he never ever states. As the poem unfolds, it seems viable that Prufrock’s big, burning concern is similar to Hamlet’s: “To be or not to be? the is the question.”


Allusion examples in The Love track of J. Alfred Prufrock:


The Love track of J. Alfred Prufrock 🔒 6

"no prophet..." see in text(The Love song of J. Alfred Prufrock)


Eliot alludes to john the Baptist, a Biblical proponent of chastity who was supposedly beheaded at the request of King Herod’s wife, who displayed his head ~ above a platter. Notification how Prufrock proceeds to denigrate himself by unfavorably compare his very own bald head to the of man the Baptist, stating the he is no together heroic figure, and his instance “no an excellent matter.”


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"works and also days..." check out in text(The Love song of J. Alfred Prufrock)


Eliot references “Works and Days” by the Greek poet Hesiod. In this didactic poem composed in the 8th-century BCE, a farmer instructs his brother how to live his life, urging him to job-related as hard as he self does. Prufrock imagines various other hands functioning harder than his own, leaving him time because that a “hundred indecisions” and also “visions and also revisions” before he must ask the “overwhelming question.”


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"I am Lazarus..." see in text(The Love tune of J. Alfred Prufrock)


Lazarus the Bethany, aka Saint Lazarus, to be purportedly increased from the dead through Jesus, that was a an excellent friend the his. In the paper definition of the poem, this allusion says that Prufrock either thinks or once thought of himself as a dead man, but that his love interest changes that. This unfortunately doesn"t assist with his social anxiety.


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"Prince Hamlet..." check out in text(The Love song of J. Alfred Prufrock)


Prince Hamlet is the titular personality of Shakespeare"s well known play. In spite of his melancholy and his tendency toward dramatic monologue, Prufrock does not think himself to it is in worthy of a starring duty in life, instead relegating self to a supporting, subservient duty as one attendant lord.


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"Talking the Michelangelo..." check out in text(The Love track of J. Alfred Prufrock)


Michelangelo was a famous Renaissance painter and sculptor who most famed works encompass a statue of the Biblical hero David and the ceiling that the Sistine Chapel. The these ladies are pointing out Michelangelo argues that the speaker has left the red-light district.


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"Let us go and also make our visit..." check out in text(The Love tune of J. Alfred Prufrock)


Notice exactly how Eliot supplies repetition in the city to emphasize Prufrock"s intellect. He wanders with the poem much as he does the dirty highways of the red-light district, happen in images and also allusions that aren"t organic come the setting but are organic come his suffer of it.

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